But Manning seemed more and more clearly indicated as a refuge, as security. It began as a joke. Manning’s handwriting had an air of being clear without being easily legible; it was large and rather roundish, with a lack of definition about the letters and a disposition to treat the large ones as liberal-minded people nowadays treat opinions, as all amounting to the same thing really—a yearssmoothed boyish rather than an adult hand. Then she sang. ” “Then I,” she said, “have too much character. . But stand by and hear such things said about my late mistress’s daughter, I won’t.
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