In rushed Mr. Her secret thoughts made some hasty, half-hearted excursions into the possibility of telling the thing in romantic tones—Ramage was as a black villain, she as a white, fantastically white, maiden. “Why should women be dependent on men?” she asked; and the question was at once converted into a system of variations upon the theme of “Why are things as they are?”—“Why are human beings viviparous?”—“Why are people hungry thrice a day?”—“Why does one faint at danger?” She stood for a time looking at the dry limbs and still human face of that desiccated unwrapped mummy from the very beginnings of social life. .
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